For me the Pre-Raphaelite art is legendary, the way the artists has painted their works such as their romantic female models to almost surreal scenes with animals in a colourful backdrop. Each to their own realistically these men were a brotherhood yet there art was their own and they had their own unique and independent way of working, almost like a signature the works and individuality is clear when looking at their separate works.
For me my favourite pieces from the brotherhood are the beautiful portrayals of women the paintings are dramatic and sparks a feeling from the audience. Who are these women? whats happened to them?
The original three member of the brotherhood are notably a unique brotherhood in their day with a group of talented and young artists who started the movement to oppose the big dogs that were the Royal Academy, a group set to defy popular genre paintings. The works were inspired by literature and nature
Just look at ........
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| Ophelia 1851-1852 |
The painting by John Everette Millais has been taken from the words Shakespeare has written, the beautiful women that looks like she could simply be relaxing, the romantic stance/feel of the painting is clear; the greenery that is only separated because of her Lacey dress. The flowers that reach up to her hands and chest area. The paleness of her skin that was also symbolised with beauty in the era.
Elizabeth Siddal the model for the painting and wife of fellow brother Dante Gabriel Rossetti actually died very young though her death was never proved to be suicide as at the time suicide was illegal and meant she wouldn't be given a christian burial. very tragic
Elizabeth Siddal the model for the painting and wife of fellow brother Dante Gabriel Rossetti actually died very young though her death was never proved to be suicide as at the time suicide was illegal and meant she wouldn't be given a christian burial. very tragic
I could also say my mother has actually touched this painting after having far to much to drink at a gallery party in the 90's.
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| Proserpine 1874 |
W. Sharp, Dante Gabriel Rossetti: A record and study, London 1882, p236"The figure represents Proserpine as Empress of Hades. After she was conveyed by Pluto to his realm, and became his bride, her mother Ceres importuned Jupiter for her return to earth, and he was prevailed on to consent to this, provided only she has not partaken of ant of the fruits of Hades. It was found, however, that she had eaten one grain of a pomegranate, and this enchained her to her new emptire and destiny, she is represented in a gloomy corridor of her palace, with the fatal fruit in her hand. As she passes, a gleam strikes on the wall behind her form some inlet suddenly opened, and admitting for a moment the light of the upper world; and she glances furtively towards it, immersed in the thought"
http://www.tate.org.uk/art/artworks/rossetti-proserpine-n05064/text-summary
A real tragedy in love
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| The awakening conscience 1853 |
Looking at the scene it looks like what? is it happy at first I thought it was a amused couple relaxing on some spring afternoon. But wait the name? "The awakening Conscience" hold on a minute that sounds like theres more in-depth with this piece, unlike the others the story isn't taken from another, the picture is full of fine details that are only noticed once inspected. The cat playing with the bird under the table? the girls clothing the off white soiled dress? who is she? are they a couple?
looking on the Tate Londons website I learnt the painting was actually subtly hinting prostitution, apparently the mirror with her reflection represents lost innocence but theres a glance of redemption with the light of the outside in the mirror. Her stance? has she had some revelation?
I enjoy paintings like this they hold the story they don't need to be based on anything because they already reveal so much.
The brotherhood were unique and young, full of talents and life as it awaited them, Though the paintings will last and be in our histories forever theres a element of sadness when looking into the artists and the people involved with them's storys, young deaths, drug use, these romantics had written tragedies.
The brotherhood of the Pre-Raphelites of course formed more members and had a second generation of painters. Many of the works are now held at the Tate Britain in London
The pictures above are from the Tate Britain's website
http://www.tate.org.uk/learn/online-resources/glossary/p/pre-raphaelite



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